Canadian Filmmaker Explores Auteurism in New Film “Gangsterism”

Canadian filmmaker Isiah Medina presents his latest feature, “Gangsterism,” which delves into the complex world of auteurs and their struggles within the film industry. The film, which opens at the ICA in London on February 20, 2024, features a cast of characters grappling with the challenges posed by power hierarchies, industry racism, and the economic barriers that hinder serious artistic expression.

Medina’s film is described as a dense, thought-provoking exploration of auteurism. It showcases a group of cineastes, led by character Clem, played by Mark Bacolcol, who confront the limitations imposed by the industry. Clem’s boyfriend, Ez, portrayed by Kalil Haddad, serves as a blunt reminder of the harsh realities facing creators, telling him, “Be proud: regardless of race, most people don’t like your work.” This commentary sets the tone for a film that is both introspective and critical of the current cinematic landscape.

Exploring Themes of Identity and Expression

The narrative unfolds as the characters engage in philosophical discussions about their craft. Collaborators Nico, played by Jonalyn Aguilar, and March, portrayed by Charlotte Zhang, also face similar struggles. A collage in Clem’s office juxtaposes revolutionary imagery with pop culture references, highlighting the film’s ironic tone. The film’s dialogues frequently shift between perspectives, creating a narrative style that challenges conventional storytelling.

In one poignant moment, Clem reflects, “Now I’ve found out that the way my characters talk isn’t human.” This line encapsulates the film’s examination of authenticity in character dialogue and the fear of appearing inhuman. Medina’s approach may not fit neatly into the category of satire or psychological exploration; instead, it appears as a self-referential commentary that invites viewers to question their narrative expectations.

Aesthetic Choices and Audience Engagement

Medina employs a distinctive aesthetic style throughout “Gangsterism,” with conversations transitioning in a manner reminiscent of cubist art. This technique emphasizes the fragmented nature of identity and perception, allowing for a dynamic viewing experience. While some may find this approach refreshingly radical, others may perceive it as pretentious.

The film also touches on the theme of artistic integrity amidst external pressures. Clem’s films are being leaked, possibly by a condescending writer played by Erik Berg. This chaos reflects Medina’s appreciation for the unpredictable nature of the creative process. Near the film’s beginning, Clem states, “I’ve always felt that if you’ve never felt the desire to destroy your books, then you’ve never really read them.” This sentiment resonates with the film’s overall message about the struggles and triumphs of artistic expression.

“**Gangsterism**” promises to be a thought-provoking addition to the film festival circuit, eliciting both admiration and frustration from its audience. As the film showcases the complexities of being an auteur in the modern age, it encourages viewers to engage deeply with the themes presented. With its unique blend of high-minded theory and artistic exploration, Medina’s work is set to spark conversations about the future of cinema.